Harriet Mena Hill

The Aylesbury Fragments

Dust in the air suspended
Marks the place where a story ended
From Little Gidding (1942) by TS Eliot

 

The Aylesbury Estate in Walworth in south east London, was home to some 10,000 people. Built between 1963 and 1977, its 2700 dwellings were first regarded as a flagship example of post-war clearance and modernist urban planning. The idyll did not last long and now a major – and, in many ways, contentious - regeneration programme is well under way, involving demolition on a huge scale. Harriet Mena Hill started working on the estate running art projects with residents in 2018; as demolition progressed, she started collecting concrete debris from the sites, recycling it as a series of “portraits” of the disappearing estate.

 

Youth Club end, Wendover  2024
Acrylic on salvaged concrete; 20.5 x 18 x 5 cm

Night threshold, Taplow  2024
Acrylic on salvaged concrete; 26 x 23 x 5 cm

 

Entry to Ravenstone  2024
Acrylic on salvaged concrete; 26 x 19.5 x 5 cm

Taplow rising II  2024
Acrylic on salvaged concrete; 34.5 x 25 x 5 cm

 

Shirts airing  2024
Acrylic on salvaged concrete; 13.5 x 10.5 x 5 cm

Flowers and cereal  2024
Acrylic on salvaged concrete; 20 x 12 x 5 cm

Surf  2024
Acrylic on salvaged concrete; 14 x 10 x 5 cm

 

3 vests and other washing  2024
Acrylic on salvaged concrete; 15.5 x 10 x 5 cm

Traces  2024
Acrylic on salvaged concrete; 20.5 x 14 x 5 cm

Books and curtains  2024
Acrylic on salvaged concrete; 18 x 10 x 5 cm

 

Reflections of the new world  2024
Acrylic on salvaged concrete; 25 x 13.5 x 5.5 cm

Long cables and shadows  2024
Acrylic on salvaged concrete; 33.5 x 15 x 5 cm

 

Elegy  2022
Acrylic on salvaged concrete; 19.5 x 14 x 13 cm

Torn out  2023
Acrylic on salvaged concrete; 23 x 14 x 6 cm

Water out of sunlight  2022
Acrylic on salvaged concrete; 30 x 19 x 8 cm

 

Prices available on request.