The work of Georgia Moors allies technical virtuosity with an intense scrutiny of her subject.

Her engagement with that subject – usually inanimate, plucked flora, from root to flower - will often last many months, the finished work slowly being built up layer by layer, mark by mark. She may be seen as a worthy heir to a small, quiet tradition of British artists who have engaged with the natural world at its most fundamental, from Nathaniel Bacon to Eliot Hodgkin.