Cathy de Monchaux

I often get lost…in forests and streets; my innate lack of direction often leaves me in a sick panic, angry at myself, marching forward, wrongly, into an abyss of lateness and fear. I don’t need to sleep to enact this in my dreams, it’s all too real.

Like the characters in fairy tales, my crumbs of information are always eaten by the birds.

As a city dweller I have a deep yearning for the countryside and forests, imagining myself being at one with nature – raw damp earth beneath my feet – awakening my inner lizard brain and making me invincible as I talk to the trees.

Instead I pound pavements of safe concrete covered in gum; the forest for me is a metaphor for a kind of freedom mixed a kind of fear.

From my London studio window I see only four trees; I‘ve watched them grow from saplings, buffeted by traffic pollution and careless vandals above ground, below ground I imagine their roots growing into the infrastructure and drains and internet cables…Steadily and quietly defying and destroying us as a payback for our human recklessness. Cathy de Monchaux 2024

De Monchaux was shortlisted for the Turner Prize in 1998 for her solo show at the Whitechapel Gallery and her work is held in public and private collections across the world, including the Tate and the Hirschhorn Museum in Washington DC.

 

Talking with trees 2024
Mixed media; 78 x 86 cm
Framed

 

Talking with trees 2024 (Shot unframed)
Mixed media; 78 x 86 cm
Framed

 

Talking with trees 2024 (Detail)

 

Talking with trees 2024 (Shot unframed)
Mixed media; 78 x 86 cm